L’io lirico di Gertrudis Gómez de Avellaneda tra sovversione e frammentazione

Abstract

The Lyrical Self of Gertrudis Gómez de Avellaneda: Subversion and Fragmentation

The essay analyzes the anxiety and tension manifested by a speaking subject prepared to interpret the world according to a personal and special sensitivity, in contraposition to the feelings of constraint caused by a conditioning of social identity.

DOI: 10.1400/116891