Rivista accademica edita dall'Associazione laureate/i in lingue e letterature straniere (ALL) dell'Università di Udine
ASSOCIAZIONE LAUREATE/I IN LINGUE E LETTERATURE STRANIERE
Gli autori degli articoli ammessi alla pubblicazione, riconosceranno a Le Simplegadi il diritto permanente di divulgare il proprio articolo elettronicamente, mentre manterranno il copyright e, dopo l’apparizione sulla rivista, gli autori potranno ripubblicare i loro scritti (su supporto cartaceo e/o elettronico), previo esplicito riconoscimento de Le Simplegadi quale editore originale. Questa rivista è pubblicata sotto una licenza Creative Commons Attribution 3.0.
In memoria di Francesco Benozzo. Amato amico, poeta e bardo
DOI: 10.17456/SIMPLE-237 Bibliografia Andreotti, A. et al. 2018. Come una statua nella nebbia dell’epica. Sull’opera di Francesco Benozzo. Ferrara: Kolibris. Atwood, Margaret. 2022. Burning Questions: Essays and Occasional Pieces 2004-2021. London: Chatto & Windus. Benozzo, Francesco. 1999. Maree del Dyfed. Modena: Anemone Vernalis. Benozzo, Francesco. 2014. Onirico Geologico / Oneiric Geological. Ferrara: Kolibris. Benozzo, Francesco. 2015. Felci in rivolta. Un Poema orale in quattro parti / Ferns in Revolt. An Oral Poem in Four Parts. Ferrara: Kolibris. Benozzo, Francesco. 2017. La capanna del naufrago / The Castaway’s Shack. Ferrara: Kolibris. Benozzo, Francesco. 2019. Stóra Dímun. Poema camminato / A Walked Poem / Gonguríma. Ferrara: Kolibris. Benozzo, Francesco. 2019. Poema dal limite del mondo / Poem from the Edge of the World. Ferrara: Kolibris. Benozzo, Francesco. 2020. Máelvarstal. Poema della creazione dei mondi / Poem of the Creation of the Worlds. Ferrara: Kolibris. Benozzo, Francesco. 2021. Autoktonia. Poem of the Suicide. Ferrara: Kolibris. Benozzo, Francesco. 2021. Memorie di un filologo complottista. Lucca: Edizioni La Vela. Benozzo, Francesco. 2022. Poeti della marea. Canti bardici gallesi dal VI al X secolo. Udine: Forum. Benozzo, Francesco. 2022. The Ridge and the Song. Sailing the Archipelago of Poetry. Il Crinale e il canto. Navigando l’arcipelago della poesia. Udine: Forum. Benozzo, Francesco. 2023. Sciamanica. Poemi dai confini dei mondi / Poems from the Borders of the Worlds. Udine: Forum [postfazione italiano/inglese di Antonella Riem Natale, Sciamano, poeta e bardo, Shaman, poet and bard, 419-433], https://forumeditrice.it/percorsi/lingua-e-letteratura/all/sciamanica/sciamanica/libro_view (consultato il 12/06/2025). Benozzo, Francesco. 2024. Homo Poeta. Le origini della nostra specie. Lucca: Edizioni La Vela. Benozzo, Francesco. 2024. Lo Sciamanesimo. Origini, tradizioni, prospettive. Lucca: Edizioni La Vela. Benozzo, Francesco. 2025. Piccolo manuale di diserzione quotidiana. Lucca: Edizioni La Vela. Kane, Paul. 2024. “Before Time Was”: Poetry of Francesco Benozzo. Le Simplegadi, XXII, 24: 167-176. Riem, Antonella. 2025. Recensione: Francesco Benozzo, Lo sciamanesimo. Origini, tradizioni, prospettive. Lingue e Linguaggi, 69: 495-502. Wildeman, Alan. 2023. Review of Francesco Benozzo’s Sciamanica. Poems form the Borders of the Worlds. Udine: Forum, 265-269.
Kraljevich: fra Caterina Percoto e Marguerite Yourcenar
Moving Bodies and Identities Across the Atlantic: The Subversive Narrative of the Slave Trade in Bernardine Evaristo’s Blonde Roots
La qualità sovversiva della scrittura creativa di Bernardine Evaristo, tra le voci più interessanti del panorama letterario britannico contemporaneo, trova espressione dirompente nel suo quarto romanzo, Blonde Roots, pubblicato nel 2008 a valle delle celebrazioni per il bicentenario dell’abolizione del commercio degli schiavi. La spiazzante narrazione dello slave trade, che si caratterizza per un’inversione di ruoli lì dove sono gli Africani a ridurre in schiavitù gli Europei, è intesa a gettare una nuova luce su un capitolo infame della storia ‘gloriosa’ dell’Impero per sollecitare una consapevolezza e una conoscenza non solo degli orrori commessi nel passato, ma, altrettanto, delle loro drammatiche conseguenze nel presente, un’ingombrante eredità che segna pesantemente la società britannica contemporanea. DOI: 10.17456/SIMPLE-239 Parole chiave: Evaristo, Blonde Roots, slave trade, neo-slave narratives, herstory. Bibliografia Achebe, Chinua. 2010 [1958]. Things Fall Apart. London: Penguin Random House. Burkitt, Katharine. 2011. Blonde Roots, Black History: History and the Form of the Slave Narrative in Bernardine Evaristo’s Blonde Roots. Journal of Postcolonial Writing, 48, 4: 406-417. Collins, Michael. 2008. “My Preoccupations Are in My DNA”: An Interview with Bernardine Evaristo. Callaloo, 31, 4: 1199-1203, https://www.jstor.org/stable/27654982 (consulted on 6/6/2025). Collins, Michael. 2020. ‘I am constantly finding ways to create language anew’: An Interview with Bernardine Evaristo. The Writer’s Chronicle. https://mydigitalpublication.com/publication/?i=655339&article_id=3644762&view=ar-ticleBrowser (consulted on 3/6/2025). Conrad, Joseph. 2016 [1899]. Heart of Darkness. Paul B. Armstrong ed. New York: WW Norton & Co. Evaristo, Bernardine. 2005. “Writers on writing” https://www.lancaster.ac.uk/transcultur-alwriting-archive/radiophonics/contents/writersonwriting/bernardineevaristo/index. html (consulted on 17/7/2025). Evaristo, Bernardine. 2009 [2008]. Blonde Roots. New York: Riverhead Books. Evaristo, Bernardine. 2019. Girl, Woman, Other. London: Hamish Hamilton. Evaristo, Bernardine. 2021. Manifesto: On Never Giving Up. London: Penguin. Evaristo, Bernardine. 2025. Interview. https://womensprize.com/in-conversation-with-ber-nardine-evaristo/ (consulted on 10/6/2025). Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. Cambridge (MA): Harvard University Press. Glissant, Édouard. 1997. Traité du Tout-Monde. Poétique 4. Paris: Gallimard. Gould, Philip. 2007. The Rise, Development and Circulation of the Slave Narrative. The Cambridge Companion to the African American Slave Narrative. Audrey Fisch ed. Cambridge: Cambridge University Press, 11-27. Gustar, Jennifer. 2015. Putting History in Its Place: An Interview with Bernardine Evaristo. Contemporary Women’s Writing, 9, 3 (Nov): 433-448. Haley, Alex. 1991 [1976]. Roots. London: Vintage. Hughes, Kathleen. 2020. Interview with Bernardine Evaristo. https://www.goldmansachs.com/insights/talks-at-gs/bernardine-evaristo (consulted on 6/5/2025). Hutcheon, Linda. 1988. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge. Iromuanya, Julie. 2017. Humor as Deconstructive Apparatus in Bernardine Evaristo’s Blonde Roots. Callaloo, 40, 4: 174-182. LaCapra, Dominick. 2001. Writing History, Writing Trauma. Baltimore: Johns Hopkins University Press. Lima, Maria Helena. 2012. A Written Song: Andrea Levy’s Neo-Slave Narrative. EnterText. Special Issue on Andrea Levy, 9: 135-153. Mercer, Kobena. 2000. Black Hair/Style Politics. Black British Culture and Society: A Text Reader. Kwesi Owusu ed. London: Routledge, 117-128. Morrison, Toni. 2007 [1987]. Beloved. London: Vintage. Muñoz-Valdivieso, Sofía. 2004. Interview with Bernardine Evaristo. Obsidian III, 5, 2. Special Issue: Black British Writing, 9-20. Muñoz-Valdivieso, Sofía. 2022. Cross-Genre Explorations in Black British Narratives of Slav- ery and Freedom: Bernardine Evaristo and Andrea Levy. Tulsa Studies in Women’s Literature, 41, 2: 223-245. Newman, Judie. 2012. The Black Atlantic as Dystopia: Bernardine Evaristo’s Blonde Roots. Comparative Literature Studies, 49, 2. Special Issue: Comparative Perspectives on the Black Atlantic, 283-297. Rushdy, Asraf H. A. 1999. Neo-Slave Narratives: Studies in the Social Logic of a Literary Form. New York: Oxford University Press. Von Rosenberg, Ingrid. 2014. If… Bernardine Evaristo’s (Gendered) Reconstructions of Black European History. Zeitschrift für Anglistik und Amerikanistik, 58, 4: 381-395.
Robert Graves, the Victorian Education System, and the British Identity
Questo saggio esplora il profondo legame di Robert Graves con la letteratura classica, plasmato dalla sua educazione e formazione vittoriana. Si intende analizzare come i suoi romanzi, saggi critici e poesie riflettano una continua rilettura dei Classici, radicata nei valori di disciplina e rigore intellettuale appresi negli anni formativi. Contestualizzando Graves all’interno del più ampio panorama culturale ed educativo vittoriano, e confrontando il suo approccio con quello dei suoi contemporanei, questo studio mostra come questo background abbia creato la sua voce letteraria unica. In ultima analisi, viene messa in luce l’attualità dei testi classici nell’opera di Graves e la loro rilevanza culturale nella Gran Bretagna del primo Novecento. DOI: 10.17456/SIMPLE-240 Parole chiave: The Classics, Victorian education system, Ancient Greece and Rome. Bibliografia Bennett, Andrew. 2015. ‘It’s readable all right, but it’s not history’: Robert Graves’s Claudius Novels and the Impossibility of Historical Fiction. A. G. G. Gibson ed. Robert Graves and the Classical Tradition. Oxford: Oxford University Press, 21-42. Cesar, Adrian. 1993. Taking It Like a Man: Suffering, Sexuality and the War Poets. Brooke, Sassoon, Owen, Graves. Manchester: Manchester University Press. Coulston, Jon. 2015. Graves on War and the Late Antique. Count Belisarius and his World. A. G. G. Gibson ed. Robert Graves and the Classical Tradition. Oxford: Oxford University Press, 99-122. Edwards, Catherine ed. 1999. Roman Presences. Receptions of Rome in European Culture, 1789-1945. Cambridge: Cambridge University Press. Eliot, George. 1965 [1874] Middlemarch [ed. with an introduction and notes by W. J. Harvey]. Harmondsworth: Penguin. Eliot, T. S. 1923. Ulysses, Order and Myth in The Dial 75: 480-483. Eliot, T. S. 1957 [1951]. Virgil and the Christian World in On Poetry and Poets. London: Faber, 123-131. Gibbins, John R. 2005. ‘Old Studies and New’: The Organisation of Knowledge in University Curriculum. Martin Daunton ed. The Organisation of Knowledge in Victorian Britain. Oxford: Oxford University Press, 235-261. Graves, Robert. 2003. The Complete Poems. Beryl Graves & Dunstan Ward eds. London: Penguin. Graves, Robert. 1922. On English Poetry. Being an Irregular Approach to the Psychology of This Art. London: Heinemann. Graves, Robert. 1948. The White Goddess. A Historical Grammar of Poetic Myth. New York: Farrar, Straus & Giroux. Graves, Robert. 1958. Legitimate Criticism of Poetry. 5 Pens in Hand. New York: Doubleday, 33-53. Graves, Robert. 1964. An “Arion” Questionnaire: The Classics and the Man of Letters. Arion: A Journal of Humanities and the Classics, 3, 4: 56-60. Graves, Robert. 1982. In Broken Images. Selected Correspondence [ed. with and introduction by Paul O’Prey]. New York: Moyer Bell Ltd. Graves, Robert. 2018 [1929]. Goodbye to All That [ed. with an introduction by Miranda Sey- mour]. London: Everyman’s Library. Graves, Robert. 1969. The Art of Poetry XI. The Paris Review, 47: 119-145. Grote, John. 1856. Old Studies and New. Cambridge Essays 1856. London: John W. Parker & Son, 74-114. Hurst, Isobel. 2015. Freedom to Invent: Graves’s Iconoclastic Approach to Antiquity. A. G. G. Gibson ed. Robert Graves and the Classical Tradition. Oxford: Oxford University Press, 201-220. Huxley, Thomas Henry. 1903. Life and Letters of Thomas Henry Huxley. Leonard Huxley ed. 3 vols. London: Macmillan & Co. Jenkyns, Richard. 1997. The Beginnings of Greats, 1800-1872, I: Classical Studies. M. G. Brock & M. C. Curthoys eds. The History of the University of Oxford, VI: Nineteenth-Century Oxford, Part I. Oxford: Clarendon Press, 513-542. Majeed, Javed. 1999. Comparativism and References to Rome in British Imperial Attitudes to India. Catharine Edwards ed. Roman Presences. Reception of Rome in European Culture 1745- 1945. Cambridge: Cambridge University Press, 88-109. Mill, John Stuart. 1905 [1835]. Professor Sedgwick’s Discourse on the Studies of the University of Cambridge. Dissertations and Discussions. London: G. Routledge & Sons; New York: E. P. Dutton & Co., 77-129. Sedgwick, Adam. 1834. A Discourse on the Studies of the University. Cambridge: Pitt Press. Seymour, Miranda. 1995. Robert Graves. Life on the Edge. London: Simon & Schuster. Seymour-Smith, Martin. 1995. Robert Graves. His Life and Work. London: Bloomsbury. Vance, Norman. 1997. The Victorians and Ancient Rome. London: Blackwell. Vandiver, Elizabeth. 2020. Stand in the Trench, Achilles. Classical Receptions in British Poetry of the Great War. Oxford: Oxford University Press. Whewell, William. 1838. On the Principles of English University Education. London: J. W. Parker. Wilson, Jean Moorcroft. 2018. Robert Graves. From Great War Poet to Goodbye All That 1895-1929. London: Bloomsbury. Webliografia Clarendon’s report: https://www.education-uk.org/documents/clarendon1864/index.html (consulted on 24/05/2025). Classical Association of England and Wales Proceedings 1904: https://archive.org/details/proceedings00walegoog/page/n26/mode/2up (consulted on 24/05/2025).
R. L. Stevenson’s “The Enchantress” (1889): A Fin de Siècle Cautionary Tale?
The Enchantress di R. L. Stevenson racconta “le avventure di un gentleman squattrinato e di una giovane ereditiera”, che si incontrano in Francia, vanno in Inghilterra e poi in Scozia per contrarre “un matrimonio singolare”. La coppia si separa il giorno stesso delle nozze dacché la signora Hatfield abbandona il marito per recarsi nelle Americhe. Ci si propone di rileggere il racconto, con attenzione particolare alla sua valenza in termini di critica sociale e di cambiamento culturale. Indagando se e in che misura il racconto funga da monito per il lettore, se ne sottolinea la rappresentazione di tradizione e convenzione, coi propri limiti e potenzialità, oltre gli stereotipi culturali dominanti nel periodo del fin de siècle. DOI: 10.17456/SIMPLE-241 Parole chiave: Stevenson, The Enchantress, New Woman question, fin de siècle. Bibliografia Antinucci, Raffaella. 2012a. A Hero in Transition: The Victorian Gentleman as a Revisited Paradigm of Masculinity. Giulia Pissarello (a cura di). Figures in the Carpet. Studi di letteratura e cultura vittoriana. Pescara: Tracce, 75-89. Antinucci, Raffaella. 2012b. Il gentleman vittoriano. Origini e sopravvivenza di un modello socioculturale. Prometeo, 118: 22-33. Catucci, Marco. 2021. R.L.S. e le incantatrici. Catucci Marco (a cura di). Intorno al matrimonio: Virginibus purisque-L’incantatrice. Testi originali a fronte. Traduzione di Andrea Minucci & Claudio Maria Messina. Roma: Robin Edizioni, 7-52. Duncan, Ian. 2010. Stevenson and Fiction. Penny Fielding ed. The Edinburgh Companion to Robert Louis Stevenson. Edinburgh: Edinburgh University Press, 11-26. Fielding, Penny. 2012. Robert Louis Stevenson. Gerard Carruthers & Liam McIlvanney eds. The Cambridge Companion to Scottish Literature. Cambridge: Cambridge University Press, 159-172. “Emmeline”. 2023. The Dictionary of Medieval Names from European Sources, https://dmnes.org/2023/1/name/Emmeline (consulted on 19/06/2025). “Meaning of the first name – Emmeline” n.d., https://www.ancestry.com/first-name-mean-ing/emmeline (consulted on 19/06/2025). Linehan, Katherine. 1997. Revaluing Women and Marriage in Robert Louis Stevenson’s Short Fiction. English Literature in Transition, 1880-1920, 40, 1: 34-59. Machen, Arthur. 1894. The Great God Pan. London: John Lane. Mallardi, Rosella. 1996. Il nuovo ‘romance’ di R. L. Stevenson. Bari: Laterza. Marroni, Francesco. 2010. Victorian Disharmonies. A Reconsideration of Nineteenth-century Eng- lish Fiction. Rome: The John Cabot University Press. Mehew, Ernest. 1989-1990. Research papers concerning “The Enchantress” by Robert Louis Stevenson, including a photostat of the original manuscript [1888-1889]. Acc.13917/251. Research and personal papers of Ernest Mehew. Acc.13917/1-698. Edinburgh: Archives and Manuscripts of National Library of Scotland. Mill, John Stuart. 1991. On Liberty. John Gray ed. On Liberty and Other Essays. Oxford-New York: Oxford University Press, 5-130. Mitigan, Herber. 1989. A Stevenson Tale of a Plotting Heiress is Found and Printed. New York Times, 1 November, 17. Poole, Adrian. 2009. Robert Louis Stevenson. Adrian Poole ed. Cambridge Companion to English Novelists. Cambridge: Cambridge University Press, 258-271. Pykett, Lyn. 2001. Foreword. Angélique Richardson & Chris Willis eds. The New Woman in Fiction and Fact: Fin-de-siècle Feminisms. London: Palgrave Macmillan, xi-xii. Shakespeare, William. 1994. Hamlet. London: Routledge. Smiles, Samuel. 2002 [1858]. Self-help, with Illustrations of Character, Conduct and Perseverance. Peter W. Sinnema ed. Oxford: Oxford University Press. Stevenson, Robert Louis. 1881. Virginibus Puerisque and Other Essays. London: C. Keegan Paul. Stevenson, Robert Louis. 1905a. Books that Have Influenced Me. Essays in the Art of Writing. London: Chatto & Windus, 75-90. Stevenson, Robert Louis. 1905b. On Some Technical Elements of Style in Literature. Essays in the Art of Writing. London: Chatto & Windus, 3-43. Stevenson, Robert Louis. 1906. Talk and Talkers [A Sequel]. Essays of Robert Louis Stevenson. Selected and edited with an introduction and notes by William Lyon Phelps. New York: Charles Scribner’s Sons, 61-100. Stevenson, Robert Louis. 1923. Letter to Travor Haddon. The Works of R. L. Stevenson, vol. 21. New York: Charles Scribner’s Sons, 123. Stevenson, Robert Louis. 1989. The Enchantress. With an introduction by David D. Mann & Susan Garland Mann. The Georgia Review, 43, 3: 551-568. Stevenson, Robert Louis. 1990a [repr. 1993]. L’incantatrice: un amore a sorpresa. Traduzione di Claudio Maria Messina. Roma: Biblioteca del Vascello. Stevenson, Robert Louis. 1990b. L’incantatrice. Prefazione e traduzione di Ornella De Zordo. Milano: Mursia. Stevenson, Robert Louis. 1991. La Magicienne. Traduction de Patrice Rapusseau. Paris: Poche Rivages. Stevenson, Robert Louis. 2004. La hehicera. Traducción de Juan Antonio Molina Foix. Valdemoro (Madrid): Editorial Valdemar. Thatcher Ulrich, Laurel. 1976. Vertuous Women Found: New England Ministerial Litera- ture, 1668-1735. American Quarterly, 28, 1: 20-40. Wånggren, Lena. 2020. Robert Louis Stevenson and the Marriage Debate: ‘The Enchantress’ in Context. Scottish Literary Review, 12, 1: 123-142. Wilde, Oscar. 1893. Salomé. London: Libraire de l’Art Independant. Wolcher, Louis E. 1990. ‘The Enchantress’ and Karl Polanyi’s Social Theory. Ohio State Law Journal, 51: 1243-1281.
‘Landscape for its own sake’: Walter Pater’s Ecology in “Sebastian van Storck”
Questo saggio si propone di analizzare la rappresentazione in Walter Pater delle modalità di percepire la natura, il paesaggio e la loro interrelazione con l’umano, alla luce della teoria eco-critica e dell’estetica materialista. Il suo ritratto immaginario “Sebastian van Storck” offre lo spunto per indagare come in Pater il testuale sia in continuità con la vita, mettendo in discussione nozioni di dualità e differenza tra sistemi in conflitto. Più di altri protagonisti pateriani, Sebastian sperimenta una simbiosi con il suo ambiente. Il presente saggio si concentrerà in particolare sul suo rapporto con la terra nell’Olanda del XVII secolo, al fine di mettere in luce la radicale poetica ecologica iscritta nel ritratto di Pater. DOI: 10.17456/SIMPLE-242 Parole chiave: Walter Pater, imaginary portrait, Holland, landscape, ecology. Bibliografia Bassi, Giovanni. 2017. “A little place in the neighbourhood of a great city”: Landscape and Environment in Walter Pater’s “The Child in the House”, “An English Poet” and “Emerald Uthwart”. Le Simplegadi, 15: 338-346. Bassi, Shaul & Emma Mason. 2021. Introduction. Environmental Humanities and English Literary Studies: Facing the Crisis of Imagination. Textus, XXXIV: 7-14. Bate, Jonathan. 1991. Romantic Ecology. Wordsworth and the Environmental Tradition. London-New York: Routledge. Bizzotto, Elisa. 2021. La mano e l’anima. Il ritratto immaginario fin de siècle. Milano: Cisalpino. Buell, Lawrence. 1995. The Environmental Imagination. Cambridge (MA): Harvard University. Cave, Terence. 2022. Live Artefacts. Literature in a Cognitive Environment. Oxford: Oxford University Press. Del Sapio Garbero, Maria. 2021. Pater, Sebastian e l’assoluto. M. Pennacchia, S. Corso & M. P. Guarducci eds. Eretiche ed Esteti. Napoli: Edizioni Scientifiche Italiane, 137-162. Denisoff, Dennis. 2021. Decadent Ecology in British Literature and Art, 1860–1910: Decay, Desire, and the Pagan Revival. Cambridge: Cambridge University Press. Ghosh, Amitav. 2016. The Great Derangement: Climate Change and the Unthinkable. Chicago: University of Chicago Press. Hext, Kate. 2013. Walter Pater. Individualism and Aesthetic Philosophy. Edinburgh: Edinburgh University Press. Kerridge, Richard & Neil Sammels. 1998. Writing the Environment. Ecocriticism and Literature, London-New York: Zed Books. Lambert-Chambonnier, Martine. 2004. Walter Pater et les «Portraits Imaginaires». Paris: L’Harmattan. Matheus, Freya. 1991. The Ecological Self. London: Routledge. Mentz, Steve. 2022. Blue Humanities. London-New York: Palgrave. Mentz, Steve & Martha Elena Rojas. 2017. The Sea and Nineteenth-Century Anglophone Literary Culture. London-New York: Routledge. Morgan, Benjamin. 2017. The Outward Mind. Materialist Aesthetic in Victorian Science and Literature. Chicago: The University of Chicago Press. Mostert, Eric. 2020. Water and National Identity in the Netherlands; the History of an Idea. Water History, 12: 311-329. Murphy, Trevor. 2004. After Rome: The Ends of the Worlds. Pliny the Elder’s Natural History. The Empire in the Encyclopedia. Oxford: Oxford University Press, 165-193. Østermark-Johansen, Lene. 2022. Walter Pater’s European Imagination. Oxford: Oxford University Press. Park, Simon. 2025. Wreckers: Disaster in the Age of Discovery. Oxford: Penguin. Pater, Walter. 1873. Studies in the History of the Renaissance. London: Macmillan. Pater, Walter. 1910 [1886]. Sebastian van Storck. Imaginary Portraits. London: Macmillan & Co., 81-115. Pater, Walter. 2002 [1893]. Plato and Platonism. Adelaide-London-Washington: Cambridge Scholars Press. Pliny the Elder, The Natural History 1855 [AD 77-79]. Trans. John Bostock and Henry Thomas Riley. Book XVI.1, https://www.perseus.tufts.edu (consulted on 08/08/2025).
The Representations of “Deutschtum” in the Literary Gazette, Blackwood’s Magazine, and the New Monthly Magazine, 1817-1821
Questo contributo esamina la rappresentazione dell’identità tedesca in una selezione di articoli pubblicati su The Literary Gazette, Blackwood’s Magazine e The New Monthly Magazine tra il 1817 e il 1826, sullo sfondo della politica britannica post-napoleonica. Lo studio indaga in che misura tali riviste abbiano mediato le tensioni tra preoccupazioni nazionali e impegno letterario transnazionale. Particolare attenzione è rivolta alle strategie retoriche e discorsive che offrono una rappresentazione dell’alterità culturale, unendo politiche nazionaliste e conservatrici all’interesse per la Confederazione Germanica di recente formazione. L’analisi sottolinea come la rappresentazione ambivalente del “Deutschtum” nei periodici romantici evidenzi il ruolo delle pressioni sociopolitiche nella costruzione della “Englishness” in dialogo con l’Europa. DOI: 10.17456/SIMPLE-243 Parole chiave: Deutschtum, Romantic periodicals, Transnationalism, British Romanticism. Bibliografia Blackwood’s Edinburgh Magazine. 1818a. Volume 2: October 1817 – March 1818. Edinburgh & London: William Blackwood & John Murray. Blackwood’s Edinburgh Magazine. 1818b. Volume 3: April 1817 – September 1818. Edinburgh & London: William Blackwood & John Murray. Blackwood’s Edinburgh Magazine. 1820. Volume 6: October 1819 – March 1820. Edinburgh & London: William Blackwood & John Murray. Burley, Stephanie. 2004. The Death of Zofloya; or, The Moor as Epistemological Limit. Ruth Bienstock Anolik & Douglas L. Hurd eds. The Gothic Other: Racial and Social Constructions in the Literary Imagination. London: McFarland & Co., 197-211. Dart, George. 2003. The Cockney Moment. The Cambridge Quarterly, 32, 3: 203-223. Doherty Hudson, Hannah. 2023. Romantic Fiction and Literary Excess in the Minerva Press Era. Cambridge: Cambridge University Press. Duden Online. 2025. Wörterbuch der deutschen Sprache, https://www.duden.de/rechtschreibung/Woerterbuch (consulted on 25/06/2025). Fulford, Timothy & Peter J. Kitson. 1998. Romanticism and Colonialism: Texts, Contexts, Issues. Timothy Fulford & Peter J. Kitson eds. Romanticism and Colonialism: Writing and Empire, 1780-1830. Cambridge: Cambridge University Press, 1-12. Hollander, Samuel. 2008. The Economics of Karl Marx: Analysis and Application. Cambridge: Cambridge University Press. Johns, Alessa. 2018. German Women’s Writing in British Magazines, 1760-1820. Jennie Batchelor & Manushag N. Powell eds. Women’s Periodicals and Print Culture in Britain, 1690-1820s: The Long Eighteenth Century. Edinburgh: Edinburgh University Press, 190-204. Kelly, Duncan. 2013. The Art and Science of Politics in Blackwood’s Edinburgh Magazine, c. 1817-1841. Robert Morrison & Daniel S. Roberts eds. Romanticism and Blackwood’s Magazine: “An Unprecedented Phenomenon”. Basingstoke-New York: Palgrave Macmillan, 137-147. Klancher, John P. 1987. The Making of English Reading Audiences, 1790-1832. Madison: The University of Wisconsin Press. O’Meara, Barry E. 1822. Napoleon in Exile; or, A Voice from St. Helena. London: Simpkin & Marshall. Ong, Aihwa. 1999. Flexible Citizenship: The Cultural Logics of Transnationality. Durham-London: Duke University Press. Parker, Mark. 2020. Maga as Medium: Cockneys in Context. Nicholas Mason & Tom Mole eds. Romantic Periodicals in the Twenty-First Century: Eleven Case Studies from Blackwood’s Edinburgh Magazine. Oxford: Oxford University Press, 97-115. Poole, Robert. 2019. Peterloo: The English Uprising. Oxford: Oxford University Press. Richardson, Alan & Sofia Hofkosh. 1996. Introduction. Alan Richardson & Sofia Hofkosh eds. Romanticism, Race, and Imperial Culture, 1780-1834. Bloomington & Indianapolis: Indiana University Press, 1-11. Saglia, Diego. 2018. European Literatures in Britain, 1815-1832: Romantic Translations. Cambridge: Cambridge University Press. Schoenfield, Mark. 2009. British Periodicals and Romantic Identity: The “Literary Lower Empire”. New York: Palgrave Macmillan. Stanford Friedman, Susan. 2015. Planetary Modernisms: Provocations on Modernity across Time. New York: Columbia University Press. Sutherland, John & Veronica Melnyk. 2018. Rogue Publisher: The “Prince of Puffers”. The Life and Works of the Publisher Henry Colburn. Brighton: Edward Everett Root. The Literary Gazette, and Journal of the Belles Lettres. Expressly Designed for the Polite Circles. 1817. London: Henry Colburn. The Literary Gazette, and Journal of the Belles Lettres. Expressly Designed for the Polite Circles. 1818. London: Henry Colburn. The New Monthly Magazine and Literary Journal. 1821. Volume 1: Original Papers. London: Henry Colburn & Co.
‘Naked Beauty display’d’. Bodies, Souls and Sexuality in William Blake’s Composite Art. Part I
Il sistema filosofico ed estetico di William Blake è una rielaborazione sincretica e originale del pensiero classico, neoplatonico, gnostico, cristiano ed ermetico. Ispirandosi altresì al mito del paradiso delle origini, a John Milton e alle Rivoluzioni francese e americana, Blake crea un linguaggio del corpo altamente simbolico con cui esprime la consustanzialità di opposti quali spirito e materia, divino e umano, macrocosmo e microcosmo. I corpi blakiani, rappresentati principalmente nelle due posture contrapposte di espansione e contrazione, sono spesso caratterizzati da torsioni ‘serpentinate’ e da tratti androgini che evocano l’arte di Michelangelo: considerando che il fine ultimo di Blake è la coincidentia oppositorum alchemica, l’androginia è un tema ricorrente nelle sue opere. DOI: 10.17456/SIMPLE-244 Parole chiave: Panism, Word and image, Socio-political radicalism, The human and the divine, Body language. Bibliografia Ackroyd, Peter. Blake. 1995. New York: Alfred A. Knopf. Alighieri, Dante. 1984 [1975]. La Divina Commedia. Testo critico stabilito da Giorgio Petrocchi con una sua nota introduttiva sul testo della Commedia. Torino: Einaudi. Blake, William. 1983. Blake e Dante. Corrado Gizzi (a cura di). Milano: Mazzotta. Blake, William. 1979 [1966]. Complete Writings with variant readings. Geoffrey Keynes ed. Oxford: Oxford University Press. Blake, William. 1991a. Blake’s Illuminated Books, 6 vols. Morton D. Paley ed. London: William Blake Trust / Tate Gallery. Blake, William, 1991b [1804-1820]. Jerusalem. The Emanation of the Giant Albion. Morton D. Paley ed. London: William Blake Trust / Tate Gallery. Blake, William. 2025 [2015]. Dante’s Divine Comedy. The Complete Drawings. Sebastian Schütze & Maria Antonietta Terzoli eds. Köln: Benedikt Taschen. Blake, William. 2009 [2000]. The Complete Illuminated Books. David Bindman ed. London: Thames & Hudson. Blake, William. 1982. The Complete Poetry and Prose of William Blake. David V. Erdman ed. Berkeley: University of California Press. Blake, William. 1992 [1974]. The Illuminated Blake. William Blake’s Complete Illuminated Works with a Plate-by-Plate Commentary. David V. Erdman ed. New York: Dover. Blake, William. 1990 [1975]. The Marriage of Heaven and Hell. With an introduction and commentary by Geoffrey Keynes. Oxford: Oxford University Press, xxvii + unnumbered pages. Boas, Marie. 1962. The Scientific Renaissance 1450-1630. London: Collins. Brett, Raymond Laurence. 2020 [1951]. The Third Earl of Shaftesbury. A Study in Eighteenth-Century Literary Theory. London: Routledge. Burke, Edmund. 1757. A Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful. London: R. & J. Dodsley. Burke, Edmund. 1790. Reflections on the Revolution of France, and on the Proceedings in Certain Societies in London […]. London: J. Dodsley. Butlin, Martin. 1978. The Paintings and Drawings of William Blake. New Haven-London: Yale University Press. Clarke, Steve, Tristanne Connolly & Jason Whittaker eds. 2014. William Blake in Twentieth-Century Art, Music and Culture. Houndmills, Basingstoke (Hampshire): Palgrave Macmillan. Connolly, Tristanne J. 2002. William Blake and the Body. Houndmills, Basingstoke (Hampshire)-New York: Palgrave Macmillan. Conrad, Joseph. 2000 [1899]. Heart of Darkness. London: Penguin. Cooper, Anthony Ashley, third Earl of Shaftesbury. 1709. The Moralists, A Philosophical Rhapsody. Being a Recital of certain Conversations upon Natural and Moral Subjects. London: John Wyat. Dryden, John. 1700. Fables Ancient and Modern: Translated into Verse, from Homer, Ovid, Boccace, & Chaucer: With Original Poems. London: Jacob Tonson. Erdman, David V. 1991 [1954]. Blake. Prophet against Empire. New York: Dover. Erle, Sibylle. 2017 [2010]. Blake, Lavater, and Physiognomy. New York: Modern Humanities Research Association and Routledge. Essick, Robert N. 1991a. William Blake’s Commercial Book Illustrations. A Catalogue and Study of the Plates Engraved by Blake after Designs by Other Artists. Oxford: Clarendon Press. Essick, Robert N. 1991b. William Blake, Thomas Paine, and Biblical Revolution. Studies in Romanticism, 30, 2: 189-212. Freedman, Linda. 2018. William Blake and the Myth of America. From the Abolitionists to the Counterculture. Oxford: Oxford University Press. Frye, Northrop. 2013 [1947]. Fearful Symmetry. A Study of William Blake. Princeton (NJ): Princeton University Press. Gilchrist, Alexander. 1863. Life of William Blake, ‘Pictor Ignotus’. With Selections from His Poems and Other Writings, 2 vols. London-Cambridge: Macmillan. Givone, Sergio. 1978. William Blake. Arte e religione. Milano: Mursia. Greenblatt, Stephen. 2017. Marvelous Possessions. The Wonder of the New World with a New Preface. Chicago: The University of Chicago Press. Harper, George Mills. 1961. The Neoplatonism of William Blake. Chapel Hill: The University of North Carolina Press. Heuer, Jennifer Ngaire. 2023. Rethinking Gender, Sexuality, and the French Revolution. Wim Klooster ed. The Age of Atlantic Revolutions, vol. II. Cambridge: Cambridge University Press, 272-301. Holmes, Richard ed. 2005. Gilchrist on Blake. Life of William Blake, Pictor Ignotus. London: Harper. Howe, Eugene C. 1938. William Blake and Modern Dance. The Journal of Health and Physical Education, 9, 1: 6-60. Leopardi, Giacomo. 1991. Zibaldone di pensieri. Edizione critica e annotata a cura di Giuseppe Pacella, 3 vols., vol. I. Milano: Garzanti. Lister, Raymond. 1991 [1986]. The Paintings of William Blake. Cambridge: Cambridge University Press. Longinus. 1995. On the Sublime. W. Hamilton Fyfe ed. and tr. Rev. Donald Russell. Aristotle, Poetics / Longinus, On the Sublime / Demetrius, On Style, Loeb Classical Library Series. Cambridge (MA)-London: Harvard University Press, 143-307. Makdisi, Saree. 2003. The Political Aesthetic of Blake’s Images. Morris Eaves ed. The Cambridge Companion to William Blake. Cambridge: Cambridge University Press, 110-132. Marx, Leo. 1967 [1964]. The Machine in the Garden. Technology and the Pastoral Ideal in America. New York-Oxford: Oxford University Press. Matthews, Susan. 2011. Blake, Sexuality and Bourgeois Politeness. Cambridge: Cambridge University Press. Milton, John. 1993. Paradise Lost. Scott Elledge ed. New York: Norton. Mitchell, W. J. Thomas. 2019 [1978]. Blake’s Composite Art: A Study of the Illuminated Poetry. Princeton (NJ): Princeton University Press. Offen, Karen. 1990. The New Sexual Politics of French Revolutionary Historiography. French Historical Studies, 16, 4, 1990: 909-922. Ovid. 1951. Metamorphoses. Tr. Frank Justus Miller, Loeb Classical Library Series, 2 vols., vol. I. Cambridge (MA): Harvard University Press-London: William Heinemann. Paine, Thomas. 1776. Common Sense; Addressed to the Inhabitants of America […]. Philadelphia: R. Bell. Patrides, Costantinos Apostolos ed. 1969. The Cambridge Platonists. Cambridge: Cambridge University Press. Plutarch. 1957. On the Eating of the Flesh. Tr. Harold Cherniss & William C. Helmbold. Plutarch. Moralia. Tr. Frank Cole Babbitt et al. Loeb Classical Library, 15 vols., vol. XII. Cambridge (MA): Harvard University Press-London: William Heinemann, 541-561. Porphyry. 2000. On Abstinence from Killing Animals [Tr. Gillian Clark]. London-New Delhi-New York-Sydney: Bloomsbury. Pseudo-Longinus. 2022. On the Sublime. Stephen Halliwell ed. Oxford: Oxford University Press. Raine, Kathleen. 2002 [1969]. Blake and Tradition. London: Routledge, 2 vols. Raine, Kathleen. 2014 [1958]. William Blake. London: Thames & Hudson. Stedman, John Gabriel. 1796 (vol. I). Narrative, of a five years’ expedition, against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America: from the year 1772, to 1777: elucidating the history of that Country […]. London: J. Johnson. Stedman, John Gabriel. 1813 (vol. II). Narrative, of a five years’ expedition, against the Revolted Negroes of Surinam, in Guiana, on the Wild Coast of South America: from the year 1772, to 1777: elucidating the history of that Country […]. London: J. Johnson. Taylor, Thomas, 1792. A Vindication of the Rights of Brutes. London: Edward Jeffery. Taylor, Thomas, 1966 [1792]. A Vindication of the Rights of Brutes. Facsimile edition with an Introduction by Louise Schutz Boas. Gainesville (FL): Scholars’ Facsimiles & Reprints. Taylor, Thomas, the Platonist. 1969. Selected Writings. Kathleen Raine & George Mills Harper eds. Princeton (NJ): Princeton University Press. The Bible. Authorized King James Version with Apocrypha. 1997. Robert Carroll & Stephen Prickett eds. Oxford: Oxford University Press. Thomas, Keith. 1984 [1983]. Man and the Natural World. Changing Attitudes in England, 1500- 1800. Harmondsworth: Penguin. Thompson, Edward Palmer. 1994 [1993]. Witness Against the Beast: William Blake and the Moral Law. Cambridge: Cambridge University Press. Townsend, Joyce H. ed. 2003. William Blake: The Painter at Work. London: Tate Publishing. Tryon, Thomas. 1684. Friendly Advice to the Gentlemen-Planters of the East and West Indies. London: Andrew Sowle. Tryon, Thomas. 1691. Pythagoras his Mystick Philosophy Reviv’d […]. London: Tho. Salisbury. Tryon, Thomas. 1683. The Way to Health, Long life and Happiness, or, A Discourse of Temperance and the particular Nature of all things requisit for the Life of Man, As all sorts of Meats, Drinks, Air, Exercise, &c. with Special Directions how to use each of them to the best advantage of the Body and Mind […]. London: Andrew Sowle. Warner, Janet A. 1994 [1984]. Blake and the Language of Art. Montreal: McGill-Queen’s University Press. Whittaker, Jason. 2010. Trannies, Amputees and Disco Queens: Blake and Contemporary Queer Art. Helen P. Bruder & Tristanne Connolly eds. Queer Blake. Houndmills, Basingstoke (Hampshire)-New York: Palgrave Macmillan, 87-96. Williams, Nicholas M. 1998. Ideology and Utopia in the Poetry of William Blake. Cambridge: Cambridge University Press. Wittreich, Joseph Anthony, Jr. 1975. The Angel of Apocalypse. Blake’s Idea of Milton. Madison: The University of Wisconsin Press.
Raccontare Juan José Millás: l’altro lato della realtà. A proposito di Volver a casa, El orden alfabético, El mundo, La mujer loca, Ese imbécil va a escribir una novela
L’obiettivo di questo saggio è l’analisi di alcuni romanzi di Millás nei quali, attraverso modalità paradossali di rappresentazione dell’esperienza, la realtà, in continua trasformazione e lungi dall’essere riferimento oggettivo, deve essere ripensata e risemantizzata. Dall’attività simbolica, decisiva nei testi di Millás, scaturisce il tema del doppio che coinvolge l’autore stesso e la sua scrittura in un gioco di dislocazioni e rispecchiamenti. Fondamentale in questo processo è l’atto di percepire, sempre legato all’emozione, attraverso il quale si intuisce la propria alienazione. In questo panorama, l’identità si scopre posticcia e priva di senso e acquista importanza il corpo come luogo dove il logos si dissolve. DOI: 10.17456/SIMPLE-245 Parole chiave: Juan José Millás, narrativa spagnola, altra parte della realtà, simbolo, percezione e sdoppiamenti. Bibliografia Colonna, Vincent. 2004. Autofiction & autres mythomanies littéraires. Auch: Tristram. Contadini, Luigi. 2002. La scrittura ambivalente di Juan José Millás. Rimini: Panozzo. Contadini, Luigi. 2015. Revelaciones y desconocimiento del yo en El mundo de Juan José Millás. Pasavento, III: 171-183. Dolfi, Anna. 2001. Premessa. Identità, alterità, doppio nella letteratura moderna. Anna Dolfi (a cura di). Roma: Bulzoni. Fusillo, Massimo. 2012 [1998]. L’altro e lo stesso. Teoria e storia del doppio. Modena: Mucchi. Galimberti, Umberto. 1997 [1984]. La terra senza il male. Milano: Feltrinelli. Galimberti, Umberto. 1983. Il corpo. Milano: Feltrinelli. Gasparini, Philippe. 2008. Autofiction. Une aventure du langage. Paris: Seuil. Giovannini, Maria Alessandra. 2000. La realidad y su doble: el espacio en la obra de Juan José Millás. Cuaderno de narrativa, Juan José Millás, Grand Séminaire. Universidad de Neuchatel, 9-11 de mayo de 2000, 5: 243-254. Higuero, Francisco Javier. 2016. Taxonomía de preguntas perlocucionarias en La mujer loca de Juan José Millás. Hápax, 9: 51-67. Jameson, Fredric. 1989 [1984]. Il postmoderno, o la logica culturale del tardo capitalismo. Milano: Garzanti. Magrelli, Valerio. 2001. Intorno all’inaccettabilità dell’Io. Identità, alterità, doppio nella letteratura moderna. Anna Dolfi (a cura di). Roma: Bulzoni. Merleau-Ponty, Maurice. 1965 [1945]. Fenomenologia della percezione. Milano: Il Saggiatore. Millás, Juan José. 1990. Volver a casa. Madrid: Destino. Millás, Juan José. 1994. La puerta secreta. Ella imagina, Madrid: Alfaguara, 117-121. Millás, Juan José. 1998. El orden alfabético. Madrid: Alfaguara. Millás, Juan José. 2000a. Cuerpo y prótesis. Madrid: El País. Millás, Juan José. 2000b. Realidad e irrealidad. Cuadernos de narrativa, Juan José Millás, Grand Séminaire, 9-11 de mayo de 2000, Universidad de Neuchâtel, 5, 8-24. Millás, Juan José. 2009 [2007]. El mundo. Barcelona: Planeta. Millás, Juan José. 2014. La mujer loca. Barcelona: Seix Barral. Millás, Juan José. 2025. Ese imbécil va a escribir una novela. Madrid: Alfaguara. Sini, Carlo. 1989. I segni dell’anima. Bari: Laterza. Webliografia López, Oscar. 2014. En su última obra, La mujer loca, Juan José Millás reflexiona sobre la creación literaria, Radio Nacional de España, http://www.rtve.es/television/20140803/mujer-loca-juan-jose-millas/910202.shtml (consultato il 10/06/2025). Millás, Juan José. 2010. Entrevista, Nostromo, RTVE, https://www.rtve.es/play/videos/ nostromo/nostromo-20100929-0015/890133/ (consultato il 10/06/2025).
Relics of Trees and Angels: J. M. Coetzee, Zbigniew Herbert, and Berlinde De Bruyckere at the Venice Biennale
La scultrice belga Berlinde De Bruyckere esplora i corpi in stati liminali tra vita e morte, fondendo forme umane, animali e vegetali per esporre la loro condizione comune di sofferenza e decadenza. Nel 2013 ha rappresentato il Belgio alla Biennale di Venezia con Kreupelhout/Cripplewood, 2012-2013, a cura di, J. M. Coetzee. Undici anni dopo è tornata a Venezia con una mostra collaterale della Biennale 2024, City of Refuge III, un insieme di installazioni che evocano catastrofi e traumi collettivi. Adottando un approccio intermediale, questo contributo indaga le influenze letterarie alla base di queste esposizioni, mettendo in luce il ruolo ancora poco esplorato di Coetzee e di Zbigniew Herbert nella formazione dell’estetica e della visione etica di De Bruyckere. DOI: 10.17456/SIMPLE-246 Parole chiave: Berlinde De Bruyckere, J. M. Coetzee, Zbigniew Herbert, Venice Art Biennial Bibliografia Alloa, Emmanuel. 2014. Band(ag)ing the body. Angela Mengoni ed. Berlinde De Bruyckere. Brussels: Mercatorfonds, 2014, 201-212. Buchloh, Benjamin H. D. 2013. The Entropic Encyclopedia. Artforum International, September, 311-317. Cave, Nick. 1988. City of Refuge, https://www.nickcave.com/lyric/city-of-refuge/ (consulted on 6/09/2025). Coetzee, John M. 1980. Waiting for the Barbarians. New York: Penguin. Coetzee, John M. 1990. Age of Iron. New York: Penguin. Coetzee, John M. 1992. Doubling the Point. Essays and Interviews. David Attwell ed. Cambridge (MA)-London: Harvard University Press. Coetzee, John M. 1997. Boyhood. London: Secker & Warburg. Coetzee, John M. 1999a. The Lives of Animals. Princeton: Princeton University Press. Coetzee, John M. 1999b. Disgrace. New York: Viking Penguin. Coetzee, John M. 2003. Elizabeth Costello. London: Secker & Warburg. Coetzee, John M. 2005. Slow Man. New York: Viking Penguin. Coetzee, John M. 2013a. The Old Woman and the Cats. Berlinde De Bruyckere & J. M. Coetzee. Cripplewood/Kreupelhout. New Haven-London: Mercatorfonds. Coetzee, John M. 2013b. Kreupelhout. Berlinde De Bruyckere & J. M. Coetzee. Cripplewood/Kreupelhout. New Haven-London: Mercatorfonds, 46. De Bruyckere, Berlinde & Luca Giordano. 2009. We Are All Flesh [exhibition]. Hauser &Wirth, London. De Bruyckere, Berlinde & J. M. Coetzee. 2013a. We Are All Flesh. Ghent: MER. Paper Kunsthalle. De Bruyckere, Berlinde. 2013b. Cripplewood/Kreupelhout [exhibition]. La Biennale di Venezia, Belgian Pavilion, Venice. De Bruyckere, Berlinde & J. M. Coetzee. 2013c. Cripplewood/Kreupelhout. New Haven-London: Mercatorfonds. De Bruyckere, Berlinde. 2021a. Engelenkeel [exhibition]. Bonnefanten Museum, Maastricht. De Bruyckere, Berlinde. 2021b. Angel’s Throat. Bonnefanten: Mercatorfonds. De Bruyckere, Berlinde. 2023. A Simple Prophecy [exhibition]. Hauser & Wirth, Zurich. De Bruyckere, Berlinde. 2024. City of Refuge III [exhibition]. La Biennale di Venezia, Abbazia di San Giorgio Maggiore, Venice. Herbert, Zbigniew. 2007. The Collected Poems 1956-1998. Alissa Valles trans. New York: Harper Collins. Herbert, Zbigniew. 2013. Apollo and Marsyas. Berlinde De Bruyckere & J. M. Coetzee. Cripplewood/Kreupelhout. New Haven-London: Mercatorfonds, 48. Herbert, Zbigniew. 2021a. Preliminary Investigation of an Angel. Angel’s Throat. Bonnefanten: Mercatorfonds, 39-40. Herbert, Zbigniew. 2021b. The Seventh Angel. Angel’s Throat. Bonnefanten: Mercatorfonds, 44-45. Huijts, Stijn. 2021. On wings of skin. Berlinde De Bruyckere. Angel’s Throat. Bonnefanten: Mercatorfonds, 81-92. Kusek, Robert & Wojciech Szymański. 2015. An Unlikely Pair: Berlinde De Bruyckere and J. M. Coetzee. Werkwinkel, 10, 1: 13-32. Leist, Anton & Peter Singer. 2010. J. M. Coetzee and Ethics. Philosophical Perspectives on Literature. New York: Columbia University Press. Mulhall, Stephen. 2009. The Wounded Animal. Princeton: Princeton University Press. Niżyńska, Joanna. 2001. Marsyas’s Howl: The Myth of Marsyas in Ovid’s Metamorphoses and Zbigniew Herbert’s “Apollo and Marsyas”. Comparative Literature, 53, 2: 151-169. Pyczek, Wacław. 2010. Motywy angelologiczne w poezji Zbigniewa Herberta [The Angelic Motives in Zbigniew Herbert’s Poetry]. Facta Simonidis, 1: 265-286. Ruchel-Stockmans, Katarzyna. 2022. Review of Berlinde De Bruyckere, Erwin Mortier & Stijn Huijts: Angel’s throat. Canadian Journal of Netherlandic Studies/ Revue canadienne d’études néerlandaises (CJNS/RCÉN), 42, 1, 81-86. Spencer, John R. 2024. Cities of Refuge, https://www.oxfordbibliographies.com/display/ document/obo-9780195393361/obo-9780195393361-0263.xml (consulted on 6/09/2025). Wilm, Jan. 2016. The Slow Philosophy of J. M. Coetzee. London: Bloomsbury Publishing.
Decolonial Refeminization and Resurgence in Leanne Betasamosake Simpson’s Dancing on Our Turtle’s Back
Il contributo si ispira alle teorie femministe indigene sul genere, la rifemminizzazione, la decolonizzazione e la risorgenza per analizzare Dancing on Our Turtle’s Back (2011) di Leanne Betasamosake Simpson. Nello specifico, esamina come la scrittrice indigena utilizza le storie ancestrali dei Nishnaabe per immaginare una realtà diversa per le donne/i popoli indigeni al di là del paradigma patriarcale, antropocentrico e coloniale. Il recupero di queste storie, che insegnano il rispetto per le donne, il femminile e la terra, risulta fondamentale per il processo di risorgenza, che riguarda sia la crescita personale della Simpson come donna, madre e attivista, sia il suo popolo impegnato nella decolonizzazione dei corpi indigeni e nell’autodeterminazione. DOI: 10.17456/SIMPLE-247 Parole chiave: Indigenous, Decolonization, Refeminization, Resurgence, Nishnaabeg stories. Bibliografia Alfred, Taiaiake. 2009. Colonialism and State Dependency. Journal of Aboriginal Health, 5: 42-60, https://jps.library.utoronto.ca/index.php/ijih/article/view/28982/23931 (consulted on 05/05/2025). Anderson, Kim. 2010. Affirmations of an Indigenous Feminist. Cheryl Suzack, Shari M. Huhndorf, Jeanne Perreault & Jean Barman eds. Indigenous Women and Feminism: Politics, Activism, Culture. Vancouver-Toronto: UBC Press, 81-91. Barker, Joanne. 2017. Introduction: Critically Sovereign. Joanne Barker ed. Critically Sovereign: Indigenous Gender, Sexuality and Feminist Studies. Durham-London: Duke University Press, 1-44. Corntassel, Jeff. 2012. Re-envisioning Resurgence: Indigenous Pathways to Decolonization and Sustainable Self-determination. Decolonization: Indigeneity, Education & Society, 1, 1: 86- 101, https://jps.library.utoronto.ca/index.php/des/article/view/18627/15550 (consulted on 05/05/2025). Fiola, Chantal. 2020. Naawenangweyaabeg Coming In: Intersections of Indigenous Sexuality and Spirituality. Sarah Nickel & Amanda Fehr eds. In Good Relation: History, Gender, and Kinship in Indigenous Feminisms. Winnipeg: University of Manitoba Press, 136-153. Maracle, Lee. 1996 [1988]. I Am Woman: A Native Perspective on Sociology and Feminism [2nd ed.]. Vancouver: Press Gang Publishers. Pyle, Kai. 2020. Reclaiming Traditional Gender Roles: A Two-Spirit Critique. Sarah Nickel & Amanda Fehr eds. In Good Relation: History, Gender, and Kinship in Indigenous Feminisms. Winnipeg: University of Manitoba Press, 109-122. Simpson, Leanne B. 2008. Nogojiwanong: The Place at the Foot of the Rapids. Leanne B. Simpson ed. Lighting the Eighth Fire: The Liberation, Resurgence and Protection of Indigenous Nations. Winnipeg: Arp Books, 205-212. Simpson, Leanne B. 2011. Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-creation, Resurgence and a New Emergence. Winnipeg: Arp Books. Simpson, Leanne B. 2014. Land as Pedagogy: Nishnaabeg Intelligence and Rebellious Transformation. Decolonization: Indigeneity, Education & Society, 3, 3: 1-25, https://jps.library.utoronto.ca/index.php/des/article/view/22170 (consulted on 05/05/2025). Simpson, Leanne B. 2017. As We Have Always Done: Indigenous Freedom through Radical Resistance. Minneapolis: University of Minnesota Press. Simpson, Leanne B. 2022. Interview with Simpson by Khairani Barokka. The White Review, https://www.thewhitereview.org/feature/interview-with-leanne-betasamosake-simpson (consulted on 05/05/2025). Suzack, Cheryl. 2015 Indigenous Feminisms in Canada. NORA—Nordic Journal of Feminist and Gender Research, 23, 4: 261-274, http://dx.doi.org/10.1080/08038740.2015.1104595 (consulted on 05/05/2025). Tsosie, Rebecca. 2010. Native Women and Leadership: An Ethics of Culture and Relationship. Cheryl Suzack, Shari M. Huhndorf, Jeanne Perreault & Jean Barman eds. Indigenous Women and Feminism: Politics, Activism, Culture. Vancouver-Toronto: University of British Columbia Press, 29-42.
Discovery Systems and Information Literacy (Part I). Musings on the Current State of Search Interfaces
In generale, i cataloghi online delle biblioteche universitarie offrono agli studenti un’interfaccia con un’ampia casella di ricerca. Questo modello di interfaccia intende fornire un’esperienza di ricerca simile a quella di Google. Tuttavia, a differenza di Google, i discovery systems includono anche la navigazione a faccette, che permette di raffinare i risultati della ricerca. Chi non conosce il dominio d’interesse trova problematico questo approccio, perché necessita di una guida concettuale per comprendere meglio lo spazio informativo prima di eseguire una query. La ricerca esplorativa è un processo aperto caratterizzato da attività cognitive e di apprendimento che possono migliorare le competenze di information literacy. DOI: 10.17456/SIMPLE-248 Parole chiave: Library Discovery Systems, Information Literacy, Search User Interfaces, Faceted Search, Thesauri. Bibliografia Antelman, Kristen et al. 2006. Toward a Twenty-First Century Catalog. Information Technology and Libraries, 25, 3: 128-139. Bates, Marcia J. 1988. Rethinking Subject Cataloging in the Online Environment, https://pages. gseis.ucla.edu/faculty/bates/rethinkingcataloging.html (consulted on 25/05/2025). Bates, Marcia J. 1990. Where Should the Person Stop and the Information Search Interface Start? Information Processing and Management, 26, 5: 575-591. Bates, Marcia J. 2007. What is Browsing – Really? A Model Drawing from Behavioural Science Research. Information Research, 12, 4, https://informationr.net/ir/12-4/paper330.html (consulted on 25/05/2025). Bates, Marcia J. 2016. The Design of Browsing and Berrypicking Techniques for the Online Search Interface. Information Searching Theory and Practice. Berkeley (CA): Ketchhikan Press, 195-216. Battelle, John. 2005. The Search. How Google and Its Rivals Rewrote the Rules of Business and Transformed Our Culture. New York: Portfolio. Bawden, David. 2011. Encountering on the Road to Serendip? Browsing in new Information Environments. Allen Foster & Pauline Rafferty eds. Innovations in Information Retrieval. Perspectives for Theory and Practice. London: Facet Publishing, 1-22. Borgman, Christine L. 1986. Why Are Online Catalogs Hard to Use? Lessons Learned from Information-Retrieval Studies. Journal of the American Society for Information Science, 37, 6: 387-400. Borgman, Christine L. 1996. Why Are Online Catalogs still Hard to Use? Journal of the American Society for Information Science, 47, 7: 493-503. Butterfield, Kevin. 2012. Online Public Access Catalogs (OPACs). Marcia J. Bates ed. Understanding Information Retrieval Systems: Management, Types, and Standards. Boca Raton (FL): CRC Press, 529-536. Calhoun, Karen et al. 2009. Online Catalogs: What Users and Librarians Want, Technical Report. Dublin (OH): OCLC, https://www.oclc.org/content/dam/oclc/reports/onlinecatalogs/ fullreport.pdf (consulted on 25/05/2025). Dijck, José van. 2013. The Culture of Connectivity. A Critical History of Social Media. Oxford-New York: Oxford University Press. Flusser, Vilém. 2000. Towards a Philosophy of Photography. London: Reaktion Books. Frampton, Jessica R. & Jesse Fox. 2020. Monitoring, Creeping, or Surveillance? A Synthesis of Online Social Information Seeking Concepts. Review of Communication Research, 9: 1-42. Hearst, Marti A. 2009. Search User Interfaces. Cambridge (MA): Cambridge University Press. Hildreth, Charles R. 1984. Pursuing the Ideal: Generations of Online Catalogs. Brian Aveney & Brett Butler eds. Online Catalogs, Online Reference: Converging Trends. Chicago (IL): ALA, 31-56. Hildreth, Charles R. 1993. An Evaluation of Structured Navigation for Subject Searching in Online Catalogues. Doctoral Thesis. London, City University London, https://openaccess.city. ac.uk/id/eprint/8376/ (consulted on 25/05/2025). Hillis, Ken Michael Petit & Kylie Jarrett. 2013. Google and the Culture of Search. New York-London: Routledge. Hjørland, Birger. 1992. The Concept of ‘Subject’ in Information Science. Journal of Documentation, 48, 2: 172-200. Hjørland, Birger. 1997. Information Seeking and Subject Representation: An Activity-Theoretical Approach to Information Science. WestPort (CT): Greenwood Press. Hjørland, Birger & Lykke Kyllesbech Nielsen. 2001. Subject Access Points in Electronic Retrieval. Annual Review of Information Science and Technology (ARIST), 35: 249-298. Jeanneney, Jean-Noël. 2008. Google and the Myth of Universal Knowledge. A View from Europe. Chicago (IL)-London: The University Chicago Press. Johannessen, Hilde. 2017. Teaching Source Criticism to Students in Higher Education: A Practical Approach. Siri Ingvaldsen & Dianne Oberg eds. Media and Information Literacy in Higher Education. Educating the Educators. Cambridge (MA): Chandos Publishing, an Imprint of Elsevier, 89-105. Julien, Charles-Antoine et al. 2012. Capitalizing on Information Organization and Information Visualization for a New-Generation Catalogue. Library Trends, 61, 1: 149-161. König, René & Miriam Rasch. 2014. Reflect and Act! Introduction to the Society of the Query Reader. René König & Miriam Rasch eds. Society of the Query Reader: Reflections on Web Search. Amsterdam: Institute of Network Cultures, 10-15, https://networkcultures.org/query/ wp-content/uploads/sites/4/2014/06/0.Introduction.pdf (consulted on 25/05/2025). Larson, Ray R. 1991. The Decline of Subject Searching: Long-term Trends and Patterns of Index Use in an Online Catalog. Journal of the Association for Information Science and Technology, 42, 3: 197-215. Long, Chris Evin. 2000. Improving Subject Searching in Web-Based OPACs. Evaluation of the Problem and Guidelines for Design. Journal of Internet Cataloging, 2, 3-4: 158-186. Marchionini, Gary. 1995. Information Seeking in Electronic Environments. Cambridge (UK): Cambridge University Press. Marchionini, Gary. 2006. Exploratory Search: From Finding to Understanding. Communications of the ACM, 49, 4: 41-46 Marchionini, Gary & Ryen White. 2007. Find What You Need, Understand What You Find. International Journal of Human-Computer Interaction, 23, 3: 205-237. Markey, Karen. 1984. Subject Searching in Library Catalogs. Dublin (OH): OCLC. Markey, Karen. 2007. The Online Library Catalog. Paradise Lost and Paradise Regained? D-Lib Magazine, 13, 1-2, https://www.dlib.org/dlib/january07/markey/01markey.html (consulted on 25/05/2025). Matthews, Joseph R. et al. 1983. Using Online Catalogs: A Nationwide Survey. New York (NY): Neal-Schuman. Maynard, Patrick. 1997. The Engine of Visualization: Thinking Through Photography. Ithaca (NY): Cornell University Press. Moulaison, Heather L. et al. 2015. What’s Driving Discovery Systems? The Case for Standards, Conference Paper. Cape Town (South Africa): IFLA, https://repository.ifla.org/items/ c476815b-7c12-4f83-a353-d79b47e254dc (consulted on 25/05/2025). Nelson, David & Linda Turney. 2015. What’s in a Word? Rethinking Facet Headings in a Discovery Service. Information Technology and Libraries (June): 76-91. Nicholson, Scott. 2000. A Proposal for Categorization and Nomenclature for Web Search Tools. Journal of Internet Cataloging, 2, 3-4: 8-28. Nielsen, Jakob. 2005. Mental Models For Search Are Getting Firmer, https://www.nngroup.com/articles/mental-models-for-search/ (consulted on 25/05/2025). Novotny, Eric. 2004. I Don’t Think I Click: A Protocol Analysis Study of Use of a Library Online Catalog in the Internet Age. College & Research Libraries, 65, 6: 525-537. Olson, A. Hope & John J. Boll. 2001 [2nd ed.]. Subject Analysis in Online Catalogs. Englewood (CO): Libraries Unlimited. Purcell, Kristen et al. 2012. Search Engine Use 2012. Washington (DC): Pew Research Center, https://www.ris.org/uploadi/editor/1341041853PIP_Search_Engine_Use_2012.pdf (consulted on 25/05/2025). Rainie, Lee & Janna Anderson. 2017. Code-Dependent: Pros and Cons of the Algorithm Age. Washington (DC): Pew Research Center, http://www.pewinternet.org/2017/02/08/code-dependent-pros-and-cons-of-the-algorithm-age (consulted on 25/05/2025). Rubanowice, Robert J. 1975. Intellectual History and the Organization of Knowledge. The Journal of Library History, 10, 3: 264-271. Schaffner, Jennifer. 2009. The Metadata is the Interface. Better Description for Better Discovery of Archives and Special Collections, Synthesized from User Studies. Dublin (OH): OCLC, https:// www.oclc.org/content/dam/research/publications/library/2009/2009-06.pdf (consulted on 25/05/2025). Silipigni Connaway et al. 1997. Online Catalogs from the Users’ Perspective: The Use of Focus Group Interviews. College & Research Libraries, 58, 5: 403-420. Stacey, Alison & Adrian Stacey. 2004. Effective Information Retrieval from the Internet. An Advanced User’s Guide. Oxford (UK): Chandos Publishing. Taylor, Arlene G. 1995. On the Subject of Subjects. The Journal of Academic Librarianship, 21, 6: 484-491. Tennant, Roy. 2005. Digital Libraries: “Lipstick on a Pig”. Library Journal, 130, 7: 34. Turner, Frederick. 1991. Rebirth of a Value. Meditations on Beauty, Ecology, Religion, and Education. New York: State University of New York Press. Vaidhyanathan, Siva. 2012. The Googlization of Everything (and Why We Should Worry). Berkeley-Los Angeles (CA): University of California Press. Wang, Yongming & Jia Mi. 2012. Searchability and Discoverability of Library Resources: Federated Search and Beyond. College & Undergraduate Libraries, 19, 2-4: 229-245. Wheatley, Alan. 2000. Subject Trees on the Internet. A New Role for Bibliographic Classification? Journal of Internet Cataloging, 2, 3-4: 115-141. White, Ryen W. & Resa A. Roth. 2009. Exploratory Search: Beyond the Query-Response Paradigm. San Rafael (CA): Morgan & Claypool. Yu, Holly & Margo Young. 2004. The Impact of Web Search Engines on Subject Searching in OPAC. Information Technology and Libraries, 23, 4: 168-180.
Ecology, Gender and Cultural Ideology in Doris Lessing’s The Grass is Singing
L’articolo offre una lettura ecocritica del primo romanzo di Doris Lessing The Grass is Singing (1950). La natura è un elemento imprescindibile che incontra e sostiene la necessità dell’autrice di affrontare concomitanti questioni migratorie, etniche, sessuali e di genere nonché, contestualmente, di richiamare a una presa di consapevolezza ambientale e politica. Oltre allo sfruttamento delle risorse naturali, i rapporti fra uomo e natura nel romanzo generano casi di crudeltà verso gli animali ed ecoansia. L’articolo analizza, inoltre, limiti e potenzialità dell’approccio ecofemminista in riferimento alla protagonista e ad altre categorie emarginate. DOI: 10.17456/SIMPLE-249 Parole chiave: Postcolonial Ecocriticism, Ecofeminism, Race, Gender, Ecophobia. Bibliografia Bell, Michael Mayerfeld & Loka L. Ashwood. 2015. An Invitation to Environmental Sociology. Los Angeles: Sage. Clayton, Cherry. 1989. Women and Writing in South Africa: A Critical Anthology. Johannesburg: Heinemann. Doble, Josh. 2020. Can Dogs be Racist? The Colonial Legacies of Racialized Dogs in Kenya and Zambia. History Workshop Journal, 89, 1: 68-89. Eliot, Thomas S. 1998. The Wasteland, Prufrock and Other Poems. Mineola-New York: Dover Publications. Estok, Simon C. 2018. The Ecophobia Hypothesis. New York-London: Routledge. Foucault, Michel. 1977. Discipline and Punish: the Birth of the Prison. New York: Pantheon Books. Goswami, Darshana. 2011. Tiny Individuals in the Fiction of Doris Lessing. New Delhi: Epitome Books. Iheka, Cajetan. 2018. Dispossession, Postcolonial Ecocriticism, and Doris Lessing’s The Grass is Singing. ISLE: Interdisciplinary Studies in Literature and Environment, 25, 4: 664-680. Jiménez, Cristina. 2020. Trespassing Frontiers: Re-reading Doris Lessing. Joana Zaragoza Gras & Elisabet Huntingford Antigas eds. Utopies i rebel·lió. Liz Russell, una vida acadèmica. Tarragona: Publicacions URV, 163-179. Lessing, Doris. 1994. Under My Skin: Volume One of My Autobiography. London: Harper-Collins. Lessing, Doris. 1998. Walking in the Shade: Volume Two of My Autobiography, 1949-1962. London: Flamingo. Lessing, Doris. 2007. The Grass is Singing. London: HarperCollins. Lessing, Doris. 2014. African Stories. New York: Simon & Schuster. Magosvongwe, Ruby. 2017. A Contrastive (Re)mapping of Blacks, Land and Nature in Rhodesian and Contemporary Zimbabwean Fiction. Artwell Nhemachena, Jairos Kangira & Nelson Mlambo eds. Decolonisation of Materialities or Mater. Symbolisms, Languages, Ecocriticism and (Non)Representationalism in 21st Century Africa. Bamenda: Langaa RPCIG, 257-282. Maylam, Paul. 2001. South Africa’s Racial Past: The History and Historiography of Racism, Segregation, and Apartheid. London: Routledge. Mutewka, Anias & Terrence Musanga. 2013. Subalternizing and Reclaiming Ecocentric Environmental Discourses in Zimbabwean Literature: (Re)reading Doris Lessing’s The Grass is Singing and Chenjerai Hove’s Ancestors. ISLE: Interdisciplinary Studies in Literature and Environment, 20, 2: 239-257. Rabaka, Reiland. 2010. Forms of Fanonism: Frantz Fanon’s Critical Theory and the Dialectics of Decolonization. Lanham (MD): Lexington Books. Roberts, Sheila. 2003. Sites of Paranoia and Taboo: Lessing’s The Grass is Singing and Gordimer’s July’s People. Harold Bloom ed. Doris Lessing: Bloom’s Modern Critical Views. Philadelphia: Chelsea House, 127-144. Said, Edward. 2021. The Collected Works of Edward Said: 1966-2006. Moustafa Bayoumi & Andrew Rubin eds. London: Bloomsbury. Schwartz, Bill. 2016. The Fact of Whiteness: Doris Lessing’s The Grass is Singing – A Historian’s Notebook. Journal of Southern African Studies, 42, 1: 127-136. Sprague, Claire. 1987. Rereading Doris Lessing: Narrative Patterns of Doubling and Repetition. Chapel Hill: University of North Carolina Press. Stoler, Ann Laura. 1989. Making Empire Respectable. The Politics of Race and Sexual Morality in Twentieth-Century Colonial Cultures. American Ethnologist, 16, 4: 634-660. Strobel, Margaret. 1991. European Women and the Second British Empire. Blooming & Indianapolis: Indiana University Press. Webliografia BBC. 2008. Doris Lessing, the Reluctant Heroine, https://archive.org/details/doris.lessing.the.reluctant.heroine (consulted on 01/09/2025). BBC. 2018. https://www.bbc.co.uk/sounds/play/p06fc4nh (consulted on 01/09/2025). Ellen, Barbara. 2001. The Guardian. “I have nothing in common with feminists. They never seem to think that one might enjoy men”, https://www.theguardian.com/books/2001/sep/09/fiction.dorislessing (consulted on 01/09/2025). Ransom Center Magazine. 2015. https://sites.utexas.edu/ransomcentermagazine/2015/10/15/doris-lessing-correspondence-deepens-insight-into-the-grass-is-singing/ (consulted on 01/09/2025).
L’Etnofilologia come in-disciplina. In memoria di Francesco Benozzo
Il presente contributo si propone di fare luce sulle origini della in-disciplina denominata “Etnofilologia” fondata da Francesco Benozzo (1969-2025), ripercorrendone le principali tappe di sviluppo. L’obiettivo è offrire al lettore una prima cartografia dei concetti fondamentali di questa proposta metodologica, delineandone al contempo le possibili prospettive future. DOI: 10.17456/SIMPLE-250 Parole chiave: Etnofilologia, Francesco Benozzo, Filologia e anarchia, Scienza e poesia, Paradigma della Continuità Paleolitica. Bibliografia Benozzo, Francesco. 2002. Recensione di Mario Alinei, Origini delle lingue d’Europa, vol. II, Continuità dal Mesolitico all’età del Ferro nelle principali aree etnolinguistiche. Studi celtici, 1: 243-253. Benozzo, Francesco. 2007a. La tradizione smarrita. Le origini non scritte delle letterature romanze. Roma: Viella. Benozzo, Francesco. 2007b. Etnofilologia. Ecdotica, 4: 208-230. Benozzo, Francesco. 2007c. La pietra, il sogno, la parola. Conversazione con Francesco Benozzo. Poesia e Spiritualità, 1: 56-82. Benozzo, Francesco. 2010a. Etnofilologia. Un’introduzione. Napoli: Liguori. Benozzo, Francesco. 2010b. Filologia e anarchia. Liburna. Revista de humanidades, 3: 61-70. Benozzo, Francesco. 2011a. Credenza preistorica e leggenda agiografica: chi è preda e chi predatore? (Appunti di epidemiologia culturale sulla storia di San Pellegrino dell’Alpe). Francesco Benozzo & Marina Montesano (a cura di). Pellegrinaggi e monachesimo celtico. Dall’Irlanda alle sponde del Mediterraneo. Alessandria: Edizioni dell’Orso, 231-249. Benozzo, Francesco. 2011b. Dalla filologia tradizionale all’etnofilologia tradizionante. Domenico Fiormonte (a cura di). Canoni liquidi. Variazione culturale e stabilità testuale dalla Bibbia a Internet. Napoli: Scriptaweb, 27-42. Benozzo, Francesco. 2011c. Si salvi chi può! (replica a Massimo Bonafin). Ecdotica, 8: 224-235. Benozzo, Francesco. 2012a. Anarchia e quarto umanesimo. Un’intervista su irriverenza, scienza e dissidenza. Robert A. Buttinger (a cura di). Bologna: Clueb. Benozzo, Francesco. 2012b. Breviario di Etnofilologia. Lecce: Pensa MultiMedia. Benozzo, Francesco. 2014. Onirico geologico. Ferrara: Kolibris. Benozzo, Francesco. 2015. Philology Two Thousand Fifteen. Philology, 1: 7-8. Benozzo, Francesco. 2016a. Il giro del mondo in ottanta saggi. Scritti scelti di linguistica, filologia ed etnofilologia. vol. I, Linguistica, etnolinguistica, dialettologia. Roma: Aracne. Benozzo, Francesco. 2016b. Origins of Human Language: Deductive Evidence for Speaking Australopithecus. Philology, 2: 7-24. Benozzo, Francesco. 2020. Poesia, scienza e dissidenza. Interviste (2015-2020). Bologna: Clueb. Benozzo, Francesco. 2021. Autoktonia. Poema del suicidio. Ferrara: Kolibris. Benozzo, Francesco. 2025. Piccolo manuale di diserzione quotidiana. Lucca: La Vela. Benozzo, Francesco & Marcel Otte. 2017. Speaking Australopithecus. A New Theory on the Origins of Human Language. Alessandria: Edizioni dell’Orso. Benozzo, Francesco & Quinto Gazzotti (a cura di). 2011. Il borgo degli incontri possibili. Profilo storico delle forme di solidarietà a San Cesario sul Panaro. San Cesario sul Panaro: Associazione Osteria della Graspa. Bonafin, Massimo. 2011. L’etnofilologia ci salverà? Ecdotica, 8: 213-224. Caprini, Rita. 2021. Recensione di Mario Alinei. Saggi etimologici. Estudis Romànics, 43: 446-449. www.continuitas.org (consultato il 19/06/2025). Gregori, Carlo. 2015. Il Pen Club candida al Premio Nobel il modenese Francesco Benozzo, poeta dei paesaggi. Gazzetta di Modena, 26 luglio 2015, https://www.gazzettadimodena.it/%20tempo-libero/2015/07/26/news/il-pen-club-candida-al-premio-nobel-il-modenese-franc-%20esco-benozzo-poeta-dei-paesaggi-1.11837386 (consultato il 25/06/2025). Michelazzi, Anna. 2024. Una vita da filologo romanzo, https://quimedia.it/bolzano/attuali-%20ta/cG9zdDoxMTkwNg (consultato il 19/06/2025). Sorice, Gabriele. 2015. Il corvo solare: materiali per una comparazione delle concezioni sciamanistiche e totemistiche del corvo in area indeuropea e nell’area del Pacifico settentrionale. Francesco Benozzo (a cura di). Le origini sciamaniche della cultura europea. Alessandria: Edizioni dell’Orso, 55-154.
David Malouf’s Partnership Narratives: “The Light that Fills the World”
DOI: 10.17456/SIMPLE-251
Il gruppo di Bloomsbury. Vita, morte e resurrezione di un fenomeno culturale
DOI: 10.17456/SIMPLE-252
Alice Munro’s Bestiary: A Book of Human and Non-Human Animals
DOI: 10.17456/SIMPLE-253 Bibliografia Buchholtz, Miroslawa. 2012. Alice Munro’s Ecosophy: from “Walker Brothers Cowboy” (1968) to “Dear Life” (2012). Le Simplegadi, 13: 66-75. Tamilselvan, Selvakkumar. 2021. Reverence for Life, Back to Naturean Ecocritical Study on Selected Short Stories of Alice Munro, http://dx.doi.org/10.2139/ssrn.3974523 (consulted on 11/08/2025). Ventura, Héliane ed. 2017. The Animal Question in Alice Munro’s Stories. Caliban, 57: 57-68. Ventura, Héliane. 2010. The Skald and the Goddess: Reading ‘The Bear Came Over the Mountain’ by Alice Munro. Journal of the Short Story in English, 55: 173-185. Ventura, Héliane. 2024. Alice Munro’s Bestiary: A Book of Human and Non-Human Animals. Lady Stephenson Library, Newcastle upon Tyne (UK): Cambridge Scholars Publishing.